The cultured "pearl of Speyside".
Other jewels nearby.
I was fortuitously given this malt last year as a birthday present. I say fortuitously because I probably would not have come across it otherwise (the packaging hardly helps) and I would have been obliged to wait a while longer for a whisky that would challenge my scoring system.
Until this, I had been guilty of bald elitism when selecting what I tasted, informed/ lead by the nose by positive reviews and what reputations I could infer from Michael Jackson's Malt Whisky Companion. As a result, I was sampling the Balvenies, Lagavulins, Glenfarclases, Ardbegs and Bowmores of this world and they were all scoring well, partly because they were all very good indeed, but partly because they were supposed to be.
So along came the Tormore: no hype but no negativity, either. I would have to make my own mind up!
Through the Subaru Impreza blue of the label could be spied a rich, dark, honey-coloured whisky which, at 12-year's-old, screamed of considerable Sherry maturation or caramel. If it was the latter, it did not obtrude in the full strength sniff. What did was a soft, floral maltiness with a damp, thick vegetal sub structure. Cashew nuts and spice upheld the claim that Sherry butts had a hand in this malt's development. A full butter note clung to the sides of the glass and carrot cake came to mind in flavour and texture. Against this was a clean sheen of citrus.
Adding water had the effect of releasing the guy ropes, although I'm not sure the nose was better for it. The flowers of the undiluted sample became heather in the wind and the butter had melted, becoming richer, sweeter and slightly more pervasive. Some honey could be found, as well as mint toffee. There was a caramel facet to the malt, but it wasn't too sweet.
Taking a sip confirmed that this is a lighter Speysider. It was soft, gentle and very malty. This flavour concluded as a dry, cerealy firmness. There was a touch of chocolate as well as skinned grapes that were maybe a little too ripe.
The butter quality dominates in the finish and it is a little too lumpish and concentrated. Some honey manages to slide through before all flavour quite quickly deserts the tongue.
After some contentious inward debate, I realised that this could not score in the "60s", not because it is a bad malt - I quite enjoy one as an aperitif and it makes excellent hot toddies - but because there is neither the deft complexity and satisfying delivery of a "65+", nor the prevailing character of a "60+". Therefore, I feel "58" is a fair score. Interestingly, this places it in the bracket of "Fine, but I wouldn't pay for it".
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